Hold my mayonnaise. #FoodieSelfie 🍴 (at food pyramid )

Hold my mayonnaise. #FoodieSelfie 🍴 (at food pyramid )

Soo beyond happy about this!! @tattoosbylefty did an amazing job on my bats. Will most def get more work by him when he’s back in town. #BestiesWithLefty #TatPant (at Infamous Ink Tattoo’s & Body Piercings)

Soo beyond happy about this!! @tattoosbylefty did an amazing job on my bats. Will most def get more work by him when he’s back in town. #BestiesWithLefty #TatPant (at Infamous Ink Tattoo’s & Body Piercings)

b-like-barbie-smoke-like-marley:

thesoftghetto:

thatonegirl-nicole:

elissamars:

frenchkissnae:

phandom-salad:

irregulargawd:

vaganja:

Always reblog.

Realist shit EVER

PREACH

mIND YOU, HE WAS ONLY LIKE 17 AT THE TIME.

yes.

Amen!

amen.

(via citrin3)

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

(via s3asick-s0uls)

mancrook:

i love people who are really nice and kindhearted bUT ALSO HORNED OUT SEX FREAKS

(via madselfiegame)

haunted-by-waters:

relationship status: (drives through the night while 80s synthpop plays in the background)

(via wewontneedlegs)

risarei:

finishing a series but still being attached to the story and its characters

image

(via madselfiegame)

Welcome to my world. I like sexy men, food, music, clothes, tattoos, sexy men with tattoos, sexy men with tattoos who play music, sexy men with tattoos who play music and like foo.....you get the idea. ENJOY!

twitter.com/TheeBVBMaria

view archive



How may I help you?

Submit